Rosenblumtv

Entries from February 2008

Rosenblum Institute Coming To South Africa

February 28, 2008 · 4 Comments

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Where the hell is lunch?

We spent the day today at the Rosenblum Institute in Brussels meeting with Concentra News execs as well as a team that flew up yesterday all the way from Capetown, South Africa.

Among other things, we’re going to open a Rosenblum Institute in Capetown!

There appears to be an extraordinary appetite for VJ training, both for professionals in the South African television industry as well as locals. The SA television market, held in check for so long by the Apartheid government, (there was no television at all until the 1970s!) is now undergoing a vast expansion on all levels. And broadband is going to leapfrog both in SA and the rest of the African continent.

And now, we’re going to a part of it.

More sessions tomorrow, but I think we’ll all be meeting again in Capetown before the year is over.

Categories: Rosenblum Institute

VJ Jobs

February 27, 2008 · 6 Comments

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The Houston Chronicle is looking for a videographer to shoot a wide
variety of video for chron.com, the newspaper’s Web site. Work will
range from breaking news to shorter features, and would include
projects with the sites online channel producers. The applicant must
be able to edit video on deadline, sometimes while still in the field.

Requirements: Strong digital video shooting with intermediate or
better editing skills. Some full-time visual journalism experience.
The ability to work independently or as part of a multimedia team,
interviewing subjects and scripting video projects as needed.

Please send a resume and examples of your work to Diane Cowen at
diane.cowen@chron.com.
_

Categories: Houston Chronicle · VJ · VideoJournalists · jobs

Greetings from Brussels

February 27, 2008 · 13 Comments

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who the hell are Avalon and Havana?

Many people have told me I belong in an institute, and now I am in one.

The Rosenblum Institute.

Founded by Concentra, the Belgian media company, it is a training center for videojournalists throughout Europe.  The Rosenblum Institute, of course, is one of the sponsors of DNA2008, which is kicking off this weekend.   But before that starts, we are running a 2-day intensive training course for VJs who have come all the way from South Africa for the session.

But now the Rosenblum Institute has signed a partnership with the Dutch Media Academy in Hilversum. They are the largest media training institute in the Netherlands. They offer 60 courses and last year taught more than 1700 students.  We think its a good partnership.

Meanwhile, the name on the door will not change. (Except maybe we can move above Havana and Avalon?)

Categories: DNA2008 · Rosenblum Institute

Bigger is Not Always Better

February 26, 2008 · 33 Comments

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Now, here’s a professional cell phone…

It’s a funny thing with the cameras.

The small cameras are regarded as ‘toys’.

Only the big cameras are ‘real’.

This is contrary to how we think about every other piece of digital technology.

No one looks at a wafer-thin laptop and says, “that’s not a real computer. That’s a toy. I mean, its fine for Freecell, but if you want to write an article for say, The New York Times, then you better use a mainframe”.

When it comes to cell phones, we are always eager to pull out the latest, fastest and smallest.  Look at how small my cellphone is!

When it comes to cellphones, we don’t scoff at small cellphones and say ‘well, that’s fine for the amateur, but when it comes to making ‘professional’ calls, I use this’, and take out one of those brick sized things from the 1980s.  No one in their right mind would say, ‘well, your blackberry is fine for calling your mother, but when you have to talk to The White House’, you better use this rotary dial big black phone.’

All that would be insane.

But it is just that kind of insanity that permeates the ‘bigger is better’ thinking at television stations.

Yesterday, we watched a ‘reality show’ on ITN in Britain.

It was a dumb show, and part of it involved people running into their homes, up the stairs and into a closet to find some piece of junk that had been hidden there.  (I am sure it will soon appear on US TV somewhere).

In any event, each time the players ran into the house, they cut to a ‘hand held’ shaky camera that chased the person up the stairs.  In one of the iterations, they held on the first camera long enough to see the second camera chasing the player up the stairs.  This poor bugger was running up the stairs with a ‘professional’ camera the size of a Volkswagen!  What is the point???

Coming into Brussels last night, we passed the display above.

Now THERE is a cellphone the camera pros can really sink their teeth into.

Throw that onto your shoulder and you can feel like you are making some real important phone calls!

Me, I am sticking with the blackberry.

Thanks,

Categories: Blackberry · cell phones

A Camera as the Pencil

February 24, 2008 · 5 Comments

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Sean Smith is a full time Videojournalist with The Guardian, the UK newspaper.

He is one of a new breed of journalists who carry their own small digital camera and report on their own.

Last week he won a Royal Television Society award for best news – International. This is particularly noteworthy as Smith works for a newspaper and not a TV network. But as newspapers move to the web and the web moves to video, the distinction between print journalist and video journalist is rapidly vanishing.

Here, I quote from The Guardian itself: Sean Smith, the Guardian’s award-winning war photographer, spent nearly six weeks with the 101st Division of the US army in Iraq. Watch his haunting observational film that explodes the myth around the claims that the Iraqis are preparing to take control of their own country.

Pretty good.

Pretty impressive work.. particularly from a newspaper.

Increasingly, I am coming to believe that the future of television news will in fact be found as newspapers move aggressively to re-invent themselves and TV news crews tragically simply talk themselves into irrelevance.

I am indebted to John Naughton for making me aware of this.

Categories: Guardian · TV News · The Guardian · VJ · VideoJournalists

On The Cutting Edge

February 22, 2008 · 75 Comments

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Americans like to believe that they are on the cutting edge of technology.

Sometime they are.

Sometimes they are not.

When it come to the VJ Revolution, they are pretty much playing catch-up with Europe.

Most European media companies long ago began the shift to video for their broadband sites and most of them have adapted the most cost-effective way of creating that content – and it’s not using full blown beta crews.

If you want to take a look at a great site for video, take a look at The Guardian’s stuff. In particular, let me direct you to Gary Younge’s work.  Younge is a columnist for The Guardian, but is resident in the US. Think Alistair Cooke, and his ‘Letter from America’.

take a look here. (sorry, Guardian videos not embedable)#

http://www.guardian.co.uk/news/video/2008/jan/18/romney.carolina.younge

Gary won’t be joining us in Brussels next week, but here are some of the folks who will:

Confirmed speakers include:

  • Margot Wallström, Vice President, European Commission
  • Helen Boaden, Director of News, BBC News
  • Christian Van Thillo, CEO, De Persgroep
  • Monique Villa, Managing Director, Reuters Media
  • Tyler Brule, Editor in Chief, Founder, Monocle Magazine, Founder, Wallpaper Magazine
  • Adriaan Bouten, Senior VP & Chief Information Officer (I&M), McGraw-Hill
  • Laurel Chamberlain, Director, Digital Media – News, Turner Media
  • Stephen Marshall, Co- Founder, Creative Director GNN
  • Joris Van Heukelom, Director, Cross Media, DAG
  • Edward Roussel, Digital Editor, Telegraph Media Group
  • Maurits van Rijckevorsel, Business Manager Cross Media, De Telegraaf
  • Bas Broekhuizen, Editor, Volkskrant TV
  • Michael Rosenblum, President, Rosenblum TV
  • Reiner Mittelbach, CEO, IFRA
  • Jörg Sadrozinski, Editor in Chief, ARD
  • Charles de Vroede, Deputy Chief Editor, De Telegraaf
  • Willi Ruetten, Director, European Journalism Center
  • Hans Laroes, Editor in Chief, NOS
  • Alexander Houben, Managing Editor, Volksfreund
  • Sara Quinn, Faculty Member, Poynter Visual Journalism Center
  • Pat Loughrey, Director, BBC Nations and Regions
  • Tone Kunst, Editor-in-Chief, NRK Nordland
  • Mark Jones, Communities Editor, Reuters
  • Cristian Trippe, Bureau Chief, Deutsche Welle
  • Simon Bucks, Associate Editor Online, Sky News
  • Marcel Houtman, Managing Director, Skoeps International
  • Mike Sechrist, General Manager, WKRN TV, Nashville
  • Yme Bosma, Manager Business Development & Partnerships, Hyves.nl
  • Rowan Barnett, Editor in Chief, The Avastar, Bild T-Online
  • Andre Zalbertus, CEO, Centre TV
  • Oliver Luft, News Editor, journalism.co.uk
  • Russell Buckley, Managing Director, Europe , AdMob
  • Lara Ankersmit, Manager, Telegraaf Digital
  • Jan Maarten Groen, CEO Mobi Concepts
  • Shu Chen Tan, Director, VPRO
  • Catherine Captain, Vice President of Marketing, msnbc.com
  • Eric Brown, CEO, ImpactGames
  • Atte Jääskeläinen, Director, YLE News.
  • Jan Ouvry, Head of News, VRT
  • Edward Roussel, Digital Editor, Telegraph Media Group
  • Geir Bordalen, Head of Technology, NRK News
  • Olivier Chapel, Country Manager France & Belgium , Zattoo
  • Andrew Creighton, Chief Executive, Vice Europe
  • Richard Foan, Managing Director, ABCe
  • Simon Cox, VP, Turner Media Innovation, Time Warner Advertising Council
 

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Michael Rosenblum

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Categories: DNA2008 · Gary Younge · VJ · VideoJournalists

Good Luck Tim French!

February 21, 2008 · 9 Comments

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Tim works with Dutch Public TV

I first met Tim French when I was at Oxygen Media.

I had come to train 90 VJs to produce their day to day content.

Tim was a staff editor, but he was intrigued by the VJ concept.

When I opened the DV DOJO in the East Village, Tim came to work for me as a trainer there.

When we started the BBC project Tim, and later his wife Kelly, (who was an editor who had done everything from Queer Eye to PBS specials).  They became a husband-wife VJ team. Trainers, editors, shooters, producers.  A killer pair.

When we did 5Takes, they took off around the world to follow the show, from Singapore to Macchu Picchu. And when I met them, neither even had a passport. From Dutch TV to German to the BBC to KRON to KRN to KGTV to The Travel Channel Academy…

Now, Tim has taken a full time job with The Los Angeles Times, where he will both be a VJ, but will also work on a team that is going to train, as I understand it, more than 100 LA Times staffers to be VJS. (The project is being headed up by Scott Anger, who himself did our bootcamp in Chiang Mai, Thailand way back in 2000).

Well, Los Angeles is a big town, and it’s nice that at least one local media company things you can cover LA with more than 11 crews!  I think the LA Times is going to give the local news guys a stroke.  And about time.

We’ll sure miss Tim.

But we wish him the best.  He has more years of training VJs all over the world than almost anyone else.

And of course, Kelly will still be with us.

And maybe, one day, Tim will come back.

The door is always open, pal.

Meanwhile, mazel tov!

Categories: LA Times · Scott Anger · Tim French · Travel Channel · Travel Channel Academy · VJ · VideoJournalists

Why It Takes 40 Years

February 19, 2008 · 19 Comments

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Thou shalt have one man crews….

In the Good Book, in the Book of Exodus, the Jews wander in the desert for 40 years before they reach the Promised Land.

They don’t wander for 40 years because they were lost.

How lost can you get in the Sinai, which is half the size of Northern New Jersey? No matter how lost, you ultimately hit the water at some point!

They wandered in the desert for 40 years so that anyone with a memory of slavery in Egypt would die off.  Even Moses is not permitted to enter the Promised Land.

New technologies are like the Israelites wandering in the desert.

Their adaptation often requires that those who have a memory of ‘how we did things in the old days’ die off… or at least retire.

The leaders of most media companies today were born in the 1950s. They grew up in a world of television channels and typewriters.  They came of age just as computers were entering the workplace.  Bill Clinton, the definitive boomer, is said to have sent only 2emails during his time in the White House (the great Internet bubble).  I doubt that our current President is capable of doing even that, although he seems to have some passing familiarity with ‘the google’. Maybe.

When today’s 21 year olds are sitting in the White House or running Viacom, the web will be second nature to them, (first nature more likely).  They won’t have to think about ‘how to use the web’.  That’s all they’ll do.  When they run for office, they won’t need a bevy of assistants to set them up on Facebook. They’ll have been there all along.

About 18 months ago, we were invited to a fundraiser for Hillary Clinton.  $10,000 later, we got a change to meet Hillary for our 3 mintues.  (This is what 10 grand buys you apparently).  We told her that the video on her website sucked.  We seemed to get her attention for a minute.

“You should be all over Youtube” we said.

“What?”  she asked.

“Youtube” we said.

“Never heard of it.”  She seemed intrigued. She called over her head of Media and her finance chief.  They joined us.

“Youtube’ we said.

The looked blankly.

“Let me write it down” said the head of Media.

“No… its YOU.. not u-tube”

“We’ll have to check it out”

New technologies come along, but it takes time for a new generation that understands that technology to get into power.  The old folks have to die off.. or at least go for a walk in the desert.

Categories: Exodus · Israel · Technology · VJ · VideoJournalists

Of Papyrus and Video

February 18, 2008 · 15 Comments

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Too expensive to wrap fish in….

Ever wonder why Linear B, the Greek script, goes from right to left?

So do Hebrew and Arabic… while English, French, Italian and all western languages go from left to right?

Here’s a good lesson.

Pretend you were carving the words into stone. Now, grasp the hammer in your right hand and the chisel in your left and start to carve. Which way to you instinctively go? Right to left (assuming you are right handed, which most people are). Otherwise your arm would block what you had just written.

But pick up a pen and start to write. Which way do you instinctively go? Left to right, so you don’t smear the ink of what you have just written.

The technology dictates the architecture of the language.

An interesting side-bar here is that our numbering system is called Arabic numbers, and for a reason. Add 325 +242. Notice that you start on the right side of the problem and work your way leftward. Just like Arabic text. Right to left.

What does this have to do with video?

Andy Grove, the founder and first CEO of Intel said, “Listen to the technology. The technology will tell you what to do.” He also said that in the not too distant future, computer processing would be so cheap that you would be able to paper your walls with computer chips.

Today, we take paper for granted.

It is so cheap, that we do indeed paper our walls with it… or wrap fish in it. Or just throw it away. It is nearly free.

The ancients in Greece or Rome or Egypt would be astonished to see how we handle paper.

For them it was an extremely expensive rarity. One might spent an entire lifetime without ever seeing a piece of paper. And when they did, they handled it with great care, as one might protect a laptop or an iPhone today. It was, after all, the cutting edge communications technology of its day.

When one set out to write on a piece of paper in antiquity (and indeed well into the Middle Ages), they took a great deal of care to do so. They generally hired a scribe to do the work for them. The scribes were members of a very elite guild, and paid small fortunes to craft the letters for a special document.

It was an art form, and their work was lovingly done.

The rise of literacy, the precipitous drop in the cost of paper, the very ubiquity of writing changed what writing was; what it meant to a culture.

It was not longer a fine craft.

Writing became anyone making notes on anything at any time.

Just scribble a shopping list on a spare piece of paper and you have written.

Does it have value? It does if you go shopping and leave it home.

Video will soon undergo the same transformation that writing underwent more than 500 years ago. It is going to pass from being a craft practiced by a handful of artisans to something that everyone does all the time.

We all learned how to read and write in school, not with the idea that we would become best selling authors, but with the idea that the ability to write was intrinsic to our ability to forge a literate culture – the ability to simply get along in print based world.

Well, we don’t live in a print based world anymore. We live in an increasingly video based world.

And more and more people are learning to communicate in video.

They are doing so because the tools to communicate in video are becoming cheaper and easier to use, just like paper once did.

And so it does not really matter if the level of ‘craftsmanship’ of the average video maker is not up to the standards of the current video craftsman. It does not make any difference. As people begin to post their video on MySpace and Youtube and eBay and Facebook, no one will care about the saturation point of the blacks. It is no longer a craft. It is simply a tool for communicating ideas.

Like paper.

Categories: Literacy · VJ · VideoJournalists · writing

THE TRUTH ABOUT KRON

February 17, 2008 · 20 Comments

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The KRON Newsroom – more like a newsroom, less like The Office.

There is no question that Young Broadcasting has had its share of woes.

After paying far too much for KRON, and then suffering a war with GE (never a good idea), Young has found itself stretched to the limit and perhaps beyond.

But that has not prevented them from continuing to build a great VJ-driven station in San Francisco.

And after a year, it not only works, it works well.

In the January Ratings, KRON4 was never out of the top 3 stations in the all important ratings period between 4 Am and 10AM. In fact, it was #1 or #2 most of the time.

This is an astonishing accomplishment for a station that has had a hard time of it financially, to say the least.

Due to budget cuts by the parent company, KRON has had to lay off an almost unthinkable half of its staff.

Yet the station has continued to fill its air time, and achieve great ratings, despite the cuts.

The reason: They still field more cameras on the streets of San Francisco than their competitors, despite the staffing cuts.

The VJ model would be easy to prove with a rich station.

Its a lot harder, and a lot more impressive with KRON.

Congratulations to all the staff for a job better than well done.

Categories: KRON · VJ · VideoJournalists